Previously we had said that one of the chief functions of art is an interruption — a disturbance to the endless flow of basic-ness. We still believe this to be true, but looking at artist Tim Høibjerg’s work it is clear that art also functions as implication — that is, because there is so much that is felt but not at all articulable in human conception, an artist can proffer an implication in form. A gesture that doesn’t cheaply try to explain away the mysterious or unknowable; one that can make, to borrow words from Derrida and Becket (respectively): “species of the non-species” and “wordless things.”