As designers we are mostly oblivious to our constant eradication of human irregularity — always masking the rough hand with true grids, sharp-edged fonts, and isolated/abstracted color. Of course it is easily forgiven/understood as our activity primarily deals with the general legibility of communication.
Nevertheless, it is nicest when imperfection is joined to graphic clarity — as it is with the student designed magazine “ABONO” (to be found as one of the projects on the graphiclab.school site). We were just struck by the publication’s sincere feeling of “designing for design’s sake.” Lovely.
Nevertheless, it is nicest when imperfection is joined to graphic clarity — as it is with the student designed magazine “ABONO” (to be found as one of the projects on the graphiclab.school site). We were just struck by the publication’s sincere feeling of “designing for design’s sake.” Lovely.