The bringing together of graphic and interior design is a fun, and to our knowledge, novel idea — and seems to be the burgeoning experiment of young French designer Alain Van Garderen. It is often that one sees interior renderings before a project, but always in either a hypothetically artistic or necessarily realistic architectural manner. To employ a graphic sensibility to inform a project (rather then interpret it after the fact) seems so invigorating to the design of an interior; impeding the overly personal or clinical poles of the vocation, and pushing it into a more formal graphic-like game space.