Since no effort or work can contain or address all matter and issue, a single offering is transcendentally limited — an axis of elements in a moment of focus. So for a single thing to project farther than the constraints of its parts — its power must come from implication. A compelling impression then, emerges from the arrangement (or friction) of components. This is very much in evidence with the site of designer D Josh Cook. Is success here all in the the magenta concentric circles of the backdrop? Or in the canary yellow of the subject bars? Or in the dot in the center of the zeros? In the work itself? Clearly it’s the moire of all the parts, parts placed by an adaptable temperament it seems that waited for the opportune moment when the compound could simply be left alone.