The curation of Portland based gallery, Adams and Ollman, is itself art. It is not totally easy to say why this is the case as the work is quite diverse; but the selection and arrangements of artists and pieces, whether group show or solo, is uniformly unassailable. Really, there is a discernment that is just so consistently clear, whether it be in the placement of the compelling empiricisms of Bill Walton, or the poignant landscape conversation proposed between Joan Nelson and Joseph Yoakum or the juxtaposition of the scribbled aspect betwixt Charles Burchfield and Conny Purtill. It all moves us to say that perhaps the beauty and meaning in an art piece thrives or wilts by its arrangement in space.