We don’t actually come in contact with the world. We touch the world with fleshy gloves and see it through watery orbs. And the images and themes we isolate — the organizations we make — all happen far away from the surface of our face. Most often what the world sees back is prepared. Thus we think a mask is the most natural and perhaps deep expression of this circumstance. And those made by Bloeme van Bon and Geran Knol for their “Park Pardon” project are glorious examples. 🎭