Although there are many superbly meditative pieces on artist Liam Stevens’ lovely and simple site, one stands out to us very plainly — a modest “white” sculpture: Untitled Maquette, 2016 (pictured above). This plain work exemplifies one of our favorite artistic expositions — that light is not stable thus color is not stable. The uncomplicated construction, three angles made of six wood panels, without much fuss, show that what is conventionally thought of as monochromatic is never monochromatic at all — but a world of shadows and asymmetrical, changing light. Were this piece to be viewed at night (with no electrical accompaniment) it wouldn’t appear white at all but as deep shades of blue-black and all manner of grays. We leave it to the viewer to determine whether or not a metaphor is to be extrapolated — we certainly do.