Right from the start on photographer Ignazio Lozano’s site one is met by an immaculate and frigid provocation — an unflinching stare emanating from a beautiful face of faux-militant comportment. The challenge is not merely limited to the content of that single photo though — this is a well laid out tension, one that continues a stony, plotted eroticism, to the end of the site’s scroll. There is a subtle twist though, one that really, deeply sensualizes the whole thing. It is the moment when one discovers that the rigidity of the grid (the surface tension of the images) can be defiled — the images are not as fixed as one thinks; they can be moved, dragged.