A necessity of art is its separation from everything else, that is, the demarcation of something as art. There’s a secondary (outer) art contextualizer, the gallery — a sort of protector of the demarcations.
When a gallery breaks out of fixed white wall typicality (as it is with the Hugo Alcantara project) a great Shklovskian defamiliarizing discourse about Context (writ large) emerges. A push to see the propositions of Art in non-art.
When a gallery breaks out of fixed white wall typicality (as it is with the Hugo Alcantara project) a great Shklovskian defamiliarizing discourse about Context (writ large) emerges. A push to see the propositions of Art in non-art.