Each of artist Y.J. Chung’s pieces feels like the translation of some process into an unfamiliar system of symbols — like something or some thing is performing generalizing and/or smoothing activities for opaque reasons. Many prompts are there — we are stimulated intellectually and emotionally — but find, for the most part, a gentle barrier to going further than a soft vague account of presented occurrences: a pair of peacefully peach column-like things are fading or emerging, two serious, drop-shadowed rectilinear forms present their edges to each other... Suffice it to say we find abstraction such as this an immense gift.