We love work that expresses the heterogeneous, multifaceted nature of history and perception — as it is with artist (and creative director) Elisa Valenzuela. Not only do we love this type of polyvalent creation because it is true in its own right, but also for the inevitable sequence it pushes. This diversity of aspect invariably leads to a state or feeling of ambiguousness — and from there a deep ethic can be found: compromise — like a diplomatic accord or a principled negotiation. 

Maybe that’s some sort of ultimate ethic: the reality of heterogeneity → subsequent ambiguity → subsequent dignified/principled compromise.