Absence and removal have been fertile themes in art (McCollum, Whiteread, to name two of many). These notions clearly put other themes like the generative or permanence into question. With the work of artist Vilhelm Christensen, we feel the subjects of absence and removal are distilled so keenly that they transcend these subjects (particularly in the environment of a truly empty museum). Another way, how can one install, an absence? We feel like Christensen’s absence transcends beyond itself into the non-hierarchical sea, back into presence or occurrence.