When one considers themself (as we do) to be completely preoccupied with meaning, it also means that a deep meaninglessness is simultaneously, and involuntarily, at play. When a feeling tips into the latter zone we find two aesthetic techniques aid in integrating the discomfort of uncertainty: concentrating on ambiguity and surface (as opposed to essence). This is why we like so much of Léo Segond’s output — surface and ambiguity are sensually employed.