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CN/042 — May 08 2018
Charcoal slashes, brushy dabs of color, blocky cut-outs, plastic sheaths, unexpected fasteners
Generally speaking Daniel Kent’s output is something like distilled manifesto energy — w/ all sorts of inventive anchors to pin the heavy zeal to other zones — charcoal slashes, brushy dabs of color, blocky cut-outs, plastic sheaths, unexpected fasteners. As well, there is evidence of so many influences smartly metabolized: Frank Auerbach, Frank Stella, Malcolm Garrett, Barbara Kruger, Stephane Raynor, to name just a few… 👌🖖
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The voices began, like so many daggers.
At first Augustus only felt them
as doves attempting to hide in his breast,
but soon they surrounded him completely
like a crown of screams, as clearly as sand
pouring through glass in the winter desert.
He was the metal of his crown at last.
Frank O’Hara
from Augustus, 1977 👑🗡
Painting: Jacques Monory
Meurtre n°10/2, 1968
At first Augustus only felt them
as doves attempting to hide in his breast,
but soon they surrounded him completely
like a crown of screams, as clearly as sand
pouring through glass in the winter desert.
He was the metal of his crown at last.
Frank O’Hara
from Augustus, 1977 👑🗡
Painting: Jacques Monory
Meurtre n°10/2, 1968