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This week on Cargo
CN/008 — Sept 12 2017
Above: Artful subversion of cartographic authority has a superb lineage: Lewis Carroll, Jorge Luis Borges, Alfred Korzybski, Jean Baudrillard — it would seem that anything additional would be redundant — not so. South African Gerhard Marx’s work with maps is probably the best on that list. Never has a map’s intentionality been made so clear — or been able to trace the confounding frontier of reality.
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Above: Artful subversion of cartographic authority has a superb lineage: Lewis Carroll, Jorge Luis Borges, Alfred Korzybski, Jean Baudrillard — it would seem that anything additional would be redundant — not so. South African Gerhard Marx’s work with maps is probably the best on that list. Never has a map’s intentionality been made so clear — or been able to trace the confounding frontier of reality.
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Outstanding works from Cargo MembersPro-Tips
Helpful hints and solid suggestionsBackdrop Splitting
Pssst… Over here. We heard you were looking to create a split-page effect… Say no more… Simply apply any Backdrop to a page (we used Google Maps) set the page to 100% height, and choose “split.” If the content of the page exceeds the height of the window, only the content will scroll — the Backdrop stays fixed. 😲
Link to example︎
Pssst… Over here. We heard you were looking to create a split-page effect… Say no more… Simply apply any Backdrop to a page (we used Google Maps) set the page to 100% height, and choose “split.” If the content of the page exceeds the height of the window, only the content will scroll — the Backdrop stays fixed. 😲
Link to example︎
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Choices incidental, uncalculated and correctRobert Ashley, Perfect Lives, 1977-1983
Perfect Lives is something like a TV opera, helmed by a pastel, animatronic Sherwood Anderson, benevolently chronicling the comings and goings of late ‘70s midwesterners. Like us, we’re sure you’ll find the life-support-ventilator cadence of Ashley’s voice absolutely riveting — and the cable access meets motel lounge aesthetics, simply dreamy.
Perfect Lives is something like a TV opera, helmed by a pastel, animatronic Sherwood Anderson, benevolently chronicling the comings and goings of late ‘70s midwesterners. Like us, we’re sure you’ll find the life-support-ventilator cadence of Ashley’s voice absolutely riveting — and the cable access meets motel lounge aesthetics, simply dreamy.